Printing Images – SPRS Participation?

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  • #4967

      Man I am so ready for a Death Valley trip!! Very jealous!


      As Tony mentioned above, printing can be costly and time consuming. It brings us back to the question of why are we printing?
      For me, when I started to see my photos in print, it finally made my efforts as a photographer complete. Even before I printed my own, I used The Lab in Santa Rosa for prints. I still do for very large prints. Seeing the photos on paper I discovered that there was much more to see and learn from when looking at them. Much more than on a screen. I can hang up a test print on the wall and study it over several days and let it tell me what it wants.
      For a while I had a small office across from my main business off just for printing and I started to print a lot. Now I am moving the printer into my spare room at my house. I have just a few ducks to get in a row and I can start printing again. I keep them in a flat file ready for matting and framing. This way I can be ready for when there is another club show or other venue for hanging.
      Printing has made me a better photographer and I justify the expense as a tool for my growth as an artist. Just like the investments we make for a nicer lens or camera. And, it is a fascinating world! A world of paper profiles, types of ink, proper monitor and printer calibration, color space, etc.
      Perhaps later on I will feel the draw to look into galleries or venues for selling but not now. I am content. I just invested in a great monitor and in a few months a new printer. I want to be able to print 16×20.  It is also great that the new printers do not clog like they used to.
      Enough of my rambling,

      Tony Reynes

        Ed and Herb, as you continue to feed your beasts, please give me some of the throwaways. I volunteer at the Yountville VA twice a week and I am sure your images could brighten someone’s day up there.

        Herbert Gaidus

          Hi Ed,

          I agree with all that you say about producing prints. I learn a lot from studying the prints on the wall and then tweaking the next revision. I’m sure I will never stop as long as I am making images.

          Then as Tony said, you will accumulate a bunch of throwaways.

          No Problem Tony, I was going to start getting rid of my previous experiments in printing, but I would be glad to let you have them for the Yountville VA

          Death Valley Trip is becoming a bit more challenging than originally planned. We will see what the conditions are like after the next Atmospheric River!!

          Herbert Gaidus

            Just for the record, I’m posting an email from Cindee Beechwood on how the Marin Photo Club works. It may provide some food for thought.

            Hi Herb:

            I thought that I would reply to you directly about MPC.  I have been on the MPC Board for six years and am familiar with how the Club operates.  If you want to post something to the SRPS VP site, please feel free to copy or edit this response.

            Currently, Marin Photo Club (MPC) offers 4 Salons and 8 SIGs; all of which are held on Zoom. The SIGS were created during COVID as a means to offer a way for members to get together.  They have become very popular, and many members now prefer the SIGs over competitions primarily because club rules usually do not apply, critiques are offered by one’s peers and getting together functions as a social event where one can get to know other Club members.  SIG groups include analog processing, creative, mobileography, landscapes, macros, monochromes, portraits, street and wildlife photography.  Some SIGs have become so popular that for certain topics there are two SIGS and may have a waiting list.

            There are no SIGS that are offered for Print.  Since members participating in a SIG are limited to 12 people, the cost to rent a room to hold such a SIG does not make financial sense for such a small group; especially if there were many multiple print SIGs.

            MPC offers three different meetings per month:  Projected competitions, Education nights and Print competitions.  Projected competitions and Education nights are held on Zoom and a member must be present to win for the Projected competitions.  Print competitions are held in-person and members must be present to win.

            I hope that this helps.  Let me know if I can answer any more questions for you.


            Herbert Gaidus

              OK – Cindee has provided more good information on how SIGs work in the Marin Photo Club.

              I’m copying it here so all interested parties can stay in the loop, and as a reference when we are trying to figure out our next steps.


              Hi Herb:

              A few things I may not have mentioned about MPC SIGs and Salons in my previous email

              SIGs are held monthly and usually last about 2 hours
              Group size is limited to 12 participants
              Images shown are usually 2 to 3 photos per participant

              I don’t want to be a naysayer because I like the idea of print SIGs, but here are some things to consider for Print SIGs.  You are welcome to post these on the SRPS forum if you think this useful.

              SIG Topics:  Should it be one SIG where anything goes?  Should it be specific to categories, i.e., landscape, monochrome, wildlife, which means several SIGs
              SIG Meetings:  How often do the SIGs meet and for how long?
              SIG Group Size:  Should be small so to be useful to the participants.  If too many participants, then less prints can be shown per participant.  Viewing of prints by too many participants may be difficult if everyone cannot adequately see the print.  The more participants the less discussion can be held about a print image.
              SIG Costs:  Need to consider a venue(s) to hold print SIG(s) and the cost of room rentals.  (This can get pricey if several SIGs were held per month.)  Would need a rack(s) to display all the prints to be reviewed.  Would need an easel or single display to hold the image being reviewed.
              SIG Set-up/Take-down:  It does not seem like a big deal, but someone would need to store display racks, and set them up and take them down for each SIG meeting.
              SIG Leader(s): For every SIG held, there needs to be a leader and, or a co-leader who is in charge of coordinating the meeting and communicating with the participants.
              SIG Members:  There needs to be a commitment for members to actively participate on a regular basis and not just drop-in when convenient. Members should offer constructive critiques and not be hurtful or offensive.
              SIG Prints:  Printing can be difficult if someone does not have access to a printer or matting material.  Since Costco no longer does printing, it can be more expensive and not as easy to have prints made.  Prints should conform to a minimum size.

              I don’t think I need to discuss the benefits of a print SIG because they have already been discussed by other members.

              I hope this is useful,



              Bill Stacy

                I’d like to join this burgeoning group. I have an Epson TS8220 with a print width of 8.5 inches. I use Epson ink and paper, make a print or two about once a month, and haven’t had problems with dry ink clogging the jet. I do waste a few sheets by trial and error to get the print to resemble the monitor screen. I’m wondering how others are doing this.

                Herbert Gaidus

                  OK Bill,

                  That sounds great! We can make it up as we go along.

                  Before we get together in person to look at prints, I’ll post a general message to the group to see if anyone else is interested in attending.

                  Regarding the printing workflow…. after about a year of fooling around, and two books on the subject, 20 Youtube videos, I finally think I have got this thing reasonably figured out.

                  There are a lot of little steps, but all are vital for good results.

                  At this point I can edit an image on screen, and with 95% certainty get a print that matches the screen.

                  However, that doesn’t mean it’s perfect since after a few days of viewing the print in different light, I usually figure out something that I could have done better. But that is not the fault of my printing,, just my processing. The image on screen is the same as the image on the print.

                  I’d like to go over my methodology and see if it works as well for others.





                    Hello Bill!

                    Welcome to the discussion!

                    In my humble fumbling with printing, I have learned much through trial and error. The 2 things I have gleaned most from my efforts are proper calibration of the monitor and the printer and correct paper profiles.

                    There is much to discuss and I am looking forward to the progression of this printing group.



                    Herbert Gaidus

                      Just a few bits before we can meet in person.

                      Some things to consider include the monitor brightness, and the way to view prints to judge their accuracy.

                      I’ve calibrated my 3 monitors for SRGB, D65, and only 80 for brightness. Maybe 90 would be ok too, but this worked for me.

                      Even with a super 4k BenQ Adobe RGB monitor, I’m printing in SRGB.

                      My room has 6k bulbs, and a small led desk lamp at 5 or 6 k that is dimmable to evaluate prints.

                      Start with the OEM paper that came with the printer.

                      I fooled with soft proofing and simulating paper and ink in Lightroom and now ignore it all.

                      Make a test print using Bill Atkinson or Kenneth Cooper using SRGB, relative colorimetric, and letting the printer manage color on the OEM paper.

                      This should look great, and now you just need to adjust the relative brightness is your room, evaluation lamp, and monitor so wisywig.

                      Last step is to do a black point and white point evaluation and use curves or other means to avoid crushed blacks, and blown highlights

                      Good luck!


                        I just got back from Photoclave with a strongly renewed interest in printing. I would love to be included in the lunch at Handline meeting.

                        while at Photoclave I spoke a bit with Bill Theis about printing. He does all his own printing as well as mounting and framing. I have written to him about a possible visit to his studio and also suggested it might be a fun field trip.

                        I will update when I hear back.

                        Herbert Gaidus

                          That sounds great Jennifer.

                          I’m sure that there is quite a bit of expertise in the club regarding printing.

                          I think I recall that Steve Ruddy is a “master printer” or whatever for a certain brand of paper.

                          I also think that he is the one who told me that he doesn’t do the “soft proofing” adjustments that I was trying to do for a year, following the advice of the YouTube experts.

                          At this point, I don’t do them either, and found that it has helped me a lot.

                          If anyone is considering purchasing the beast of a printer that is the Canon Pro-1000, recognize that beyond the not insignificant investment in $,  there is also an investment in space.

                          The printer weighs in excess of 70#, and I have it sitting on a dedicated printing cart –

                          Hopefully we can get together in early March!





                            Hi Herb,

                            I have been looking at that very printer! Just some saving to do before it’s mine. I recently acquired a new monitor. It’s a BenQ SW272U, fabulous colour accuracy. Almost done setting my spare room as an editing and printing office. Really looking forward to getting together soon. Perhaps next week?



                              My printer is being ordered this weekend!  Alan wants it here when the tech comes to install my new computer on March 4 or 5, so then I will have two machines to learn at once.

                              Herb, you mentioned some books – I would love to know what books or videos you recommend. Reading back through this thread, it’s obvious I have a whole new language to learn.

                              Cindy’s information on SIGs is interesting. It sounds like we are getting enough interested people to form one in this club. It would be great fun to meet once a month or so and show our prints to each other and exchange ideas and tips as well as critiques – or maybe just call them opinions.


                                Hi Herb,

                                I have been looking at that very printer! Just some saving to do before it’s mine. I recently acquired a new monitor. It’s a BenQ SW272U, fabulous colour accuracy. Almost done setting my spare room as an editing and printing office.


                                Herbert Gaidus

                                  It is Good to see some enthusiasm for Printing!

                                  I truly believe that it has helped me personally improve my photography more than any new camera or lens ever could.

                                  Ed, you now will have pretty much the same setup that I use. I’ve got the BenQ SW271 and love it as well. After my off-road 4Runner, the Pro-1000 is my favorite “Toy”

                                  Jennifer, that is great news about getting them both delivered and set up at the same time.

                                  With at least 2 new Pro-1000 users I am sure that I can help you save maybe the year and $$?? it took for me to get confident printing images.

                                  I like the idea of a regular review  meeting  of a Printing SIG to evaluate each others efforts in person. I’m mosting working from Photo books to compare my work.

                                  Regarding books, I bought Jeff Schewe The Digital Print and Fine Art Printing for Photographers by Steinmueller and Gulbins but I would not recommend getting them at first.

                                  I can bring them for you to borrow if needed. Most  of the information is pretty technical and dated, and would be best after you have your first 100  prints done.

                                  Mid March sounds like a good time to get together. I’ll see if I can find some images to bring.






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